Review: November ‘89 from The Singing Factory (Belgium)

November '89, a production by The Singing Factory, tells the historical story of the Berlin Wall, following Sophia, a mother of four living in East Berlin. The production beautifully weaves together two storylines: the construction of the wall in 1961 and the events leading up to its fall in 1989.

The story begins when a woman arrives at Arend’s door in 1989 with questions about life in the East. Though hesitant at first, Arend realises the importance of documenting these experiences and decides to share his story. We are then transported back to 1961, meeting young Arend, his brother Klaus, and their friends as they begin their university years. While it starts with fun and freedom, the story gradually reveals the devastating impact the Wall had on their lives. Is everyone going to stay as they are, or is the villain closer than we think?

Script and Direction
The script, written by Wanne Synnave, is incredibly strong. To bring such a difficult historical narrative to life in this way is truly heartwarming. It is a rare glimpse into a reality that wasn’t actually that long ago. Synnave also finds room for humour to lighten the mood; a standout moment is a scene where Arend and Klaus return home and accidentally knock over a bin—first Arend, then Klaus. It was a genuinely funny, human touch!

Music and Performance
The songs, written by Sam Verhoeven, elevate the story to a whole new level. The main cast is joined by a massive ensemble that is vocally powerful and provides excellent support. A highlight is the song “We schrijven geschiedenis” (We Are Writing History). Performed before the interval and again in the second act, it is impressively strong. With the entire cast looking directly at the audience, the impact is undeniable.

What makes this production special is the cast of young people at the start of their journeys, focusing on raw emotion. They are led by seasoned pros like Deborah De Ridder (Sophia) and Jan Schepens (Arend 1989), alongside a talented young cast including Willem De Schryver as Klaus, Ella Van Dalfsen as Johanna, and Lucas Geldof as Arend (1961), and Nette Trauwen as Emily.

Verdict
Overall, this production tells a necessary truth—an unmissable story for the times we live in. The writers truly did the history justice.

November ‘89 is playing in Antwerp until 26 April.
More information about cast and other productions can be find on The Singing Factory