REVIEW: Lizzy Sunshine (Edinburgh Fringe)

Star rating: ★★★★

Liz Coin is a New York-based writer and comedian bringing Lizzy Sunshine to the Edinburgh Fringe following sold-out runs at Soho Playhouse.

The production begins in the queue. Handing out customizable name tags in line instantly breaks the ice, encouraging strangers to connect and building a warm, collective atmosphere before anyone enters the theatre. Sitting beside a lovely older couple I had just met made the space feel instantly welcoming.

When Lizzy takes the stage alone, she explains that her co-star is running late, forcing her to launch into the show solo. This leads to pure, frantic comedy as she keeps ducking backstage for quick pep talks and desperate brainstorming. In such an intimate room where the audience is positioned a few feet away from the stage, her energy and confidence are captivating.

Throughout the performance, Coin moves effortlessly between various characters, including a chaotic priest. Though audience participation can often make spectators hesitant, her crowd work is remarkably natural and engaging. Supported by precise comic timing and sharp sound cues, the room feels like an active participant—highlighted when my neighbour spontaneously folded a paper cross right on cue during a church scene.

Underneath the high-energy comedy, however, the piece delivers a profound emotional shift. Near the end, the sunny persona strips away to reveal a heartbreaking truth: Lizzy is grieving her brother, whose struggle with addiction prevented him from performing alongside her. As Coin noted during our interview, this pivot serves as a sharp "smack in the face back to reality", a poignant reminder that a bright stage presence can often conceal deeply personal grief.

Lizzy Sunshine is playing until 31st August as part of the Edinburgh Fringe Festival at Coorie at Gilded Balloon Patter House