REVIEW Franz & Marie (Charring Cross Theatre)
Star rating: ★★★★
Brenock O’Connor and Jade Oswald photo by Danny Kaan
Franz and Marie is a stage adaptation based on Georg Büchner’s Woyzeck book. Set in Germany during the war, it tells the story of a young couple navigating life after giving birth to their baby in a difficult time. At the center of it is Franz, who is struggling with PTSD and desperately trying to live up to society's expectations of a man and a father.
Brenock O’Connor gives a very strong performance as Franz, particularly as his mental state begins to deteriorate and become worse at the end of the story, a very difficult character to play. But they way he portrays the role, feels so real.
Jade Oswald brings warmth and vulnerability to Marie, anchoring the role even when the writing doesn't quite discover with much depth. Because the actions that her character does are focused on Franz story,
One of the production's greatest strengths is its use of actor-musicians. Having the ensemble transition between acting and playing instruments bridges the gap between the music and the acting, adding a unique touch to the show. Featuring folk-inspired music written by Rob Shepherd and Chris Broderick, the score gives the production a distinctive atmosphere. Some of the ensemble harmonies are gorgeous, particularly in the haunting numbers, though not every song feels entirely necessary; a few slow the narrative down rather than moving it forward.
The intimate space of the Charing Cross Theatre works wonderfully for the material, making the darker scenes feel uncomfortably close and immersive, paired with strong visuals and lighting that bring Franz’s hallucinations to life. Designed by Bretta Gerecke, the set features canvases suspended from the roof and walls, creating the exact right atmosphere for the production.
Because the production is heavy, they also wanted to add lighter moments by including various jokes in the show. However, the jokes involve raw language from the other soldiers while Franz is having a breakdown from PTSD and starvation, which feels uneasy and not quite right. The book occasionally feels underdeveloped, and there is potential for a deeper exploration of Franz and Marie’s relationship, which is central to the narrative.
Ultimately, Franz and Marie is a production with a lot to admire, featuring beautiful vocals and immersive set design.
Franz and Marie is playing at the Charring Cross Theatre until 14 November. More information can be found here: https://charingcrosstheatre.co.uk/theatre/franz-marie
