REVIEW: Shantify (Edinburgh Fringe Festival)
Star rating: ★★★
Photo taken by Danny Kaan
The concept sounds simple: "Shantify" popular pop songs into country and folk tunes led by an all-male choir. Easy, right? Well, despite how simple it sounds, there is much more. It takes a lot of effort to change the rhythm and melody, especially of songs originally by women, when performed by a six-man cast: Michael Riseley, Jack Whittle, Alfie French, Cal T King, Ollie Wray, and Joe Bishop.
When the show started, we immediately felt as if we were at sea, accompanied by the sound of crashing waves. However, the setup was a bit confusing from the start because the cast used their real names, leaving me wondering if the show was based on a real story or if they were actors playing fictional versions of themselves.
Throughout the performance, we were treated to a set list of popular songs like: Dolly Parton’s 9 to 5, Man in the Mirror which was easily a highlight. Because the tracks are so recognisable, you can move, clap, and engage right away without sitting there trying to guess what song it is. The harmonies blended beautifully together, with Cal T King’s extremely low voice adding something truly special to the arrangements. Combined with Joe on guitar, who played the only live instrument on stage, the musical talent was undeniable.
I also struggled to see the connection between the sea theme and their song choices. While a lot happens on stage searching for true love, going on an audience date, and heading out to sea- it missed a cohesive story. The audience participation, where they each try to teach how to win a girl over, resulted in some genuinely funny moments.
I thoroughly enjoyed the music, especially when they shantified Ex-Wives from SIX, which was amazing, but overall it lacked a central message or story to really relate to. For me, it was more like watching a concert than a musical.
Shanitfy is playing until 30th August as part of the Edinburgh Fringe Festival at Palais du Variété at Assembly George Square Gardens.