Review: Foxtrot at Scheldetheater Terneuzen (Netherlands)
Star rating: ⭐⭐⭐⭐⭐
A Bold Return to 1930s Amsterdam
The long-awaited revival of Foxtrot has finally arrived; you get transported to 1930, a decade defined by a harsh economic crisis yet fuelled by an incredible sense of creative survival.
As we mark 30 years since the passing of artist Annie M.G. Schmidt, this brand-new production brings her songs and her legacy to the stage. Together with composer Harry Bannink, she created the ‘mjoeziekul’—a uniquely Dutch genre that still feels incredibly fresh and relevant today.
The Touring Experience: UK vs. Benelux
Catching this production in Terneuzen highlighted some fascinating differences between the UK and Benelux theatre. Unlike the UK regional tours that stay for week(s), the Dutch production is fast-paced; shows often play just three nights before moving to the next venue.
While the theatre is incredibly accessible for the Belgian audience, as it is just over the border, the pricing is extremely high. With no tiered seating categories, the flat rate was €79 (approx. £68). In comparison, UK touring tickets often start between £25 and £35. However, the Benelux offers unique perks: children under 12 go for free, and in many theatres, young people under 30 pay only €15 (including an interval drink!). It’s an interesting trade-off in the effort to keep the theatre accessible – BUT that was only in one theatre.
The Cast: Sublime Chemistry & Heritage
The casting for this production is a dream. A true full-circle moment for Dutch theatre history is the presence of Gerrie van der Klei. Having played Lisette in the original 1977 production, seeing her step into the shoes of Mathilda feels like a beautiful passing of the torch.
On the night of my visit, Robbert van den Bergh took on the role of Jules, and his chemistry with Renée de Gruijl was absolutely sublime. As the artistic duo Loulou & Jules, they brought an electric energy to the stage that was impossible to ignore. I also have to mention Teuntje Post (Josien); she is a total revelation, brilliantly capturing the evolution from a naive girl to a woman taking full agency over her own life.
The cast is completed by a stellar lineup including William Spaaij, Marjolijn Touw, Jip Bartels, Paul Disbergen, Joyeuse Musabimana, and Jeroen Sigterman, supported by a powerhouse ensemble.
The Story: Social Themes & Sensitivity
What makes Foxtrot stay with you is how it handles the messy, honest parts of being human. However, the storytelling at times felt a bit rushed. I think they wanted to show how tough and resilient the characters are, but treating such a heavy, life-changing moment so lightly felt a bit off. In a story where these moments reflect such a painful reality, I would have loved a bit more emotional breathing room for the impact to truly land.
Final Thoughts
Overall, Foxtrot is a high-class musical. It is a powerful, high-energy production that balances nostalgic charm with social commentary. While some emotional moments could have used more depth, the outstanding cast and grand staging make it a total must-see!
Currently touring the Netherlands. Check the official website for tickets and dates.
Photo credit: Danny Kaan
